indie-kids όλου του κόσμου ενωθείτε!In The Pitchfork 500: Our Guide to the Greatest Songs from Punk to the Present, Pitchfork offers up their take on the 500 best songs of the past three decades. Focusing on indie rock (Arcade Fire, the Shins), hip-hop (Public Enemy, Jay-Z), electronic (Daft Punk, Boards of Canada), pop (Madonna, Justin Timberlake), metal (Metallica, Boris), and experimental underground music (Suicide, Boredoms), The Pitchfork 500 features all-new essays and reviews written with the sharp wit and insight for which the site is known.
Kicking it off in 1977 with the birth of punk and independent music, The Pitchfork 500 runs chronologically, with each chapter representing a distinct period and offering a narrative of how the musical landscape of the day influenced its artists. The book opens with David Bowie, Lou Reed, Iggy Pop, Kraftwerk, and Brian Eno, the “art-rock godfathers” who set the tone and tenor for the next thirty years, and wraps up in the present, when bands connect with new audiences through social networking sites and prime-time TV placements—and when a single mp3 can turn a niche indie artist into a global sensation. Sidebars like “Yacht Rock,” “Runaway Trainwrecks,” “Nanofads,” and “Career Killers” call out some far-from-classic musical trends and identify the guiltiest offenders.
Modernizing the music-guide format, The Pitchfork 500 reflects the way listeners are increasingly process- ing music—by song rather than by album. These 500 tracks condense thirty years of essential music into the ultimate chronological playlist, each song advancing the narrative and, by extension, the music itself.
Modernizing the music-guide format, The Pitchfork 500 reflects the way listeners are increasingly process- ing music—by song rather than by album. These 500 tracks condense thirty years of essential music into the ultimate chronological playlist, each song advancing the narrative and, by extension, the music itself.
Δεν υπάρχουν σχόλια:
Δημοσίευση σχολίου